Maryland Institute College of Art Main Building Art Colleges

Private art and design higher in Baltimore, canadaa & a United States historic place

Maryland Found College of Art (MICA)

Erstwhile name	Maryland Found for the Promotion of the Mechanic Arts
Type	Private art school
Established	1826; 196 years agone  (1826)
Affiliation	AICAD
Endowment	$92.9 one thousand thousand (2020)[1]
President	Samuel Hoi
Academic staff	178 full-time 433 part-time
Students	two,128[2]
Undergraduates	1,824
Postgraduates	379
Location	Baltimore , Maryland , United States
Campus	Urban, 1.5 miles (two.four km)[ clarification needed ]
Colors	Blue & Xanthous (traditionally) Greenish & Chocolate-brown (more recently)
Website	www.mica.edu

The Maryland Plant Higher of Fine art (MICA) is a private art and design college in Baltimore, Maryland. Information technology was founded in 1826 equally the Maryland Institute for the Promotion of the Mechanic Arts,^[iii] making information technology one of the oldest art colleges in the United states of america.

MICA is a fellow member of the Clan of Independent Colleges of Fine art and Design (AICAD), a consortium of 36 leading US art schools, as well as the National Association of Schools of Art and Design (NASAD). The higher hosts pre-college, post-baccalaureate, continuing studies, Master of Fine Arts, and Bachelor of Fine Arts programs, likewise as immature peoples' studio fine art classes.

History [edit]

"The Maryland Institute", above the erstwhile "Eye Market" on Market Place between East Baltimore Street and Water Street, east of South Frederick Street and w of the Jones Falls stream, home of M.I., 1851–1904

Maryland Constitute for the Promotion of the Mechanic Arts [edit]

The Maryland Institute for the Promotion of the Mechanic Arts was established by prominent citizens of Baltimore, such as Fielding Lucas Jr. (founder of Lucas Brothers - office supply company), John H. B. Latrobe (lawyer, artist, author, borough leader), Hezekiah Niles (founder of national newspaper Niles Weekly Register) and Thomas Kelso.^[3]

Other leaders and officers in that first decade were William Stewart (president), George Warner, and Fielding Lucas Jr. (vice presidents), John Mowton (recording secretary), Dr. William Howard (respective secretary), every bit well as James H. Clarke and D.P. McCoy (managers), Solomon Etting (local merchant/political leader), Benjamin C. Howard, William Hubbard, William Meeter, William Roney, William F. Pocket-size, S.D. Walker, John D. Craig, Jacob Deems, William H. Freeman, Moses Manus, William Krebs, Robert Cary Long, Jr. (architect), Peter Leary, James Mosher, Henry Payson (founder of Start Unitarian Church), P. K. Stapleton, James Sykes and P. B. Williams. The General Assembly of Maryland incorporated the Institute in 1826, and starting in November of that year (Tuesday, November 7, 1826), exhibitions of manufactures of American manufacture were held in the "Concert Hall" on South Charles Street. A course of lectures on subjects continued with the mechanic arts was inaugurated, and a library of works on mechanics and the sciences was begun.

The schoolhouse operated for a decade at "The Athenaeum" (the first of two structures to deport that name, a landmark for educational, social, cultural, borough and political affairs) at the southwest corner of E Lexington and St. Paul Streets facing the second Baltimore City/County Courthouse between North Calvert and St. Paul Streets. This first Athenaeum was destroyed by burn down on February vii, 1835 along with all of its property and records. The fire was caused past a depository financial institution anarchism due to the fiscal panic following the collapse of several Baltimore banks.^[4]

In November 1847, Benjamin S. Benson and sixty-nine others (including many of the original founders of the former Institute), issued a call for a coming together of those favorable to the germination of a mechanics' institute, which resulted in the reopening of the Institute on January 12, 1848.^[three]

The first annual exhibition was held at "Washington Hall" in October 1848, followed by two more. The 1848 officers were John A. Rodgers – president, Adam Denmead – start vice president, James Milholland – second vice president, John B. Easter – recording secretarial assistant, and Samuel Boyd – treasurer. The Establish was reincorporated past the country legislature at their December session in 1849 and was endowed by an annual cribbing from the State of Maryland of v hundred dollars. In 1849, the Board of Managers extended the usefulness and broadened the entreatment of its programs to ordinary citizens past opening a School of Design and an additional Nighttime Schoolhouse of Design was extended 2 years later in the new hall and edifice, under William Minifie (from the Faculty of the erstwhile Fundamental High Schoolhouse of Baltimore) equally chief of the reorganized Institute. Classes resumed in rented space over the downtown Baltimore branch of the U.S. Post Office Department in the "Merchants Substitution".^[five]

The City Council in 1850 passed an ordinance granting the Institute permission to erect a new edifice over a reconstructed "Middle Market place", laying the cornerstone on March thirteen, 1851, with John H. B. Latrobe,^[4] and son of national builder Benjamin Henry Latrobe, (1764–1820).

In 1851, the Constitute moved to its own building, built above the old Centre Market on Market Identify (formerly Harrison Street) between Due east Baltimore Street (to the north) and Water Street (to the due south) alongside the western shore of the Jones Falls. Center Marketplace continued to be known in the city as "Marsh Market" after the former Harrison's Marsh from colonial times. The edifice covered an entire cake and had 2 stories built on a series of brick arches above the marketplace, with two clock towers at each end. The second floor with the Institute, housed classrooms, offices, shops and studios and one of the largest assembly halls/auditorium in the state.

During this period the Institute added a School of Chemistry, thanks in function to a bequest from philanthropist George Peabody, (1795–1869), (for which the Peabody Institute and George Peabody Library is named) and B.& O. Railroad President Thomas Swann, along with a School of Music.^[5] Nighttime classes for Design are added for men who work during the day, merely would similar training in Architecture and Engineering science at night. In 1854, a Day School of Pattern opened for women—one of the first United states of america arts programs for women. In 1860, the Day School for men opened, and in 1870, the Twenty-four hour period school became co-ed.^[v]

The Maryland Institute, later the 1904 Fire

For 79 years the Found remained in the location above the Center Market, and its "Great Hall", large enough to adapt 6,000, attracted many famous speakers and lecturers. It hosted events and shows related to the Arts, and equally one of Baltimore's largest halls, it hosted important events to the city and the region. In 1852, it hosted both of the National political conventions to nominate presidential candidates Winfield Scott and his opponent Franklin Pierce (who was after elected 14th President of the U.s.).^[5]

During the American Civil War, the Constitute served briefly as an armory for the Spousal relationship and a hospital for soldiers wounded at the Battle of Antietam.^[5] On April eighteen, 1864, President Abraham Lincoln gave his famous speech known as the "Baltimore Address" (or "Liberty Speech") during a "Sanitary Off-white" held in the Swell Hall to benefit Union soldiers and families.

On February seven–8, 1904, the Centre Market and the Maryland Institute burned downwards along with one,500 other buildings in downtown Baltimore during the Not bad Baltimore Fire.^[5] Temporarily, classes moved to spaces above other covered municipal markets in the city, while structure was ongoing in two locations. Michael Jenkins donated the hereafter site of the "Main Building" on Mount Regal Avenue most the new Bolton Hill neighborhood in the northwest, which opened in 1908. It was to firm the School of Art and Pattern, and the City of Baltimore offered the one-time site and funding to rebuild the Eye Market as a location for the Drafting school and "mechanical arts".^[half-dozen]

Upon opening, the Main building had spaces for pottery, metal working, wood carving, free-hand drafting and fabric pattern, every bit well every bit a library, galleries and exhibition rooms. The galleries and exhibition rooms were important, because at the time of construction, Baltimore had no public art museum (institutions such every bit the Walters Art Gallery were not founded and opened for regular public viewing until 1909 and acquired by the city in 1934, and the Baltimore Museum of Art, in 1914).

In 1923, the Constitute's galleries hosted the first known public showing of Henri Matisse's work in the Us, brought from Europe by sisters Claribel and Etta Cone.^[6] In 1928, the new Center Market building, now known every bit "The Marketplace" building, offered a course in Aeronautics theory and drafting post-obit the great excitement and increase in interest in the manufacture following Charles Lindbergh'southward flight over the Atlantic Ocean to Paris.

Maryland Constitute, College of Fine art [edit]

The Plant legally changed its name to the "Maryland Institute, Higher of Art" in 1959, and the "Marketplace Building" was razed to make room for the extension southward of the Jones Falls Throughway (Interstate 83).^[vi] The consolidation of MICA to the Mount Royal campus was furthered by the purchase of the Mount Royal Station, a former Baltimore and Ohio Railroad (B&O) train station, in 1964. In 1968, MICA was forced to close due to the Baltimore anarchism of 1968, which broke out two days after the April 4 assassination of Martin Luther King Jr. in Memphis, Tennessee.

From 1972–1975, MICA was graced with the presence of artists and critics of the flow, including composer John Cage, poet Allen Ginsberg, lensman Walker Evans, master printer Kenneth Eastward. Tyler, painter Elaine de Kooning and art critic Cloudless Greenberg.^[7]

In the following years, MICA expanded along Mount Royal Avenue, adding the "Fox Building" in 1978, the "College Center" (now the "Art Tech Center") in 1986, a renovation of the "Main Building" in 1990, "The Commons" (added 1992), "Bunting Middle" (1998), the "Meyerhoff Firm" (2002), the "Brownish Heart" (2003), the "Studio Center" (2007) and "The Gateway" (2008). During that time, the Higher focused on increased interaction with the international art globe—offering study abroad programs and residences in numerous countries around the world.

The schoolhouse's logo was redesigned in 2007 by Abbott Miller of Pentagram and is said to exist a "visual reference to the compages" found at the 1907 Main Edifice and 2003 Dark-brown Centre.^[8]

Academics [edit]

MICA offers diverse undergraduate caste, graduate degrees and certificates including B.F.A., M.A., M.A.T., 1000.B.A., K.F.A., Thou.P.S.^{[9] [10] [11]} Some of the degree programs are partially online or fully online.^[9] The school has accreditation from Center States Committee on Higher Educational activity (MSCHE) since 1967, and National Association of Schools of Art and Design (NASAD) since 1948.^{[2] [9]}

In the Fall 2017 term, there were 433 part-time faculty and 178 total-time faculty, with an viii to 1 pupil-to-faculty ratio.^[two]

Students and alumni [edit]

Student art exhibit, May 2012.

In Fall 2017, the total educatee enrollment was 2,128, with 1,824 undergraduate students and 379 graduate students hailing from across the US and foreign countries.^[2] The student trunk in Autumn 2017 was 75% female and 25% male.^[2] MICA has an acceptance rate of 62% in 2017.^{[12] [xiii]}

86% of B.F.A. graduates who take jobs immediately after graduation are working in art related fields; 23% of MICA's B.F.A. graduates pursue graduate report immediately after graduation.^{[ citation needed ]}

From 2009-2017, 14 MICA graduates received Fulbright awards for study away and five students earned the Jacob Javits Fellowship for graduate written report.^{[ citation needed ]} Since 2003, two alumni have received the national Jack Kent Cooke Foundation Graduate Scholarship and iii Jack Kent Cooke Foundation scholars chose to report at MICA. Additionally, four alumni were awarded Elizabeth Greenshields Foundation Grants.^{[ citation needed ]}

Facilities [edit]

MICA'due south campus is a mixture of buildings from different periods of Baltimore's evolution.

Main edifice [edit]

The Primary Building houses painting and drawing studios, undergraduate photography department, foundation department, 2 departmental galleries, undergraduate admissions and the President'southward Office.

Structure began on a new campus in Bolton Hill when its Centre Market place building was destroyed. Construction was completed in 1908.^[14] The State of Maryland, the Carnegie Foundation, and local benefactors contributed funds to build it. Michael Jenkins donated the state, stipulating that the new edifice non clash with the nearby Gothic Revival Corpus Christi Church building.^[14] The Chief Building was the commencement to be designed by New York-based architects Pell & Corbett, who were awarded the contract when they won a $500 design contest sponsored by the New York Clan of Contained Architects. Otto Fuchs designed the interior studio plans. The architecture was intended to evoke a feeling of the Grand Canal of Venice, c. 1400. The exterior marble is carved from "Beaver Dam" marble, excavated from the Baltimore County quarry nigh Cockeysville, Maryland. It is the same marble used to build the Washington Monument in Baltimore designed by Robert Mills, and part of the Washington Monument in Washington, D.C.^[5]

United States historic identify

Mount Purple Station
U.Due south. National Register of Historic Places
U.S. National Historic Landmark
The old B&O station, now the Maryland Found College of Art, in 2009
Location	1400 Cathedral Street, Baltimore, Maryland
Coordinates	39°18′20″Northward 76°37′14″W  /  39.30556°Northward 76.62056°Westward  / 39.30556; -76.62056 Coordinates: 39°eighteen′twenty″Northward 76°37′14″W  /  39.30556°Due north 76.62056°W  / 39.30556; -76.62056
Built	1896
Architect	Baldwin, Eastward. Francis; Pennington, Josias
Architectural style	Renaissance
NRHP referenceNo.	73002191
Significant dates
Added to NRHP	June 18, 1973[15]
Designated NHL	December 8, 1976[xvi]

Architectural features include the main entrance, offering a big marble staircase, stained-drinking glass skylight and the names of Renaissance masters surrounding the archway to the second floor. The exterior of the northeast façade features four stone memorial medallions: i for the city, 1 for the state and two others honoring Institute benefactors Andrew Carnegie and Michael Jenkins.^[14] Throughout the Main Building plaster replicas of Greek and Roman statues offering students study targets for their Foundation year.

In 1908, the New York Association of Independent Architects awarded the building a gilded key, the highest award in architecture at the time.

From 1990-1992, the building underwent a $5.1 million renovation under the direction of the Grieves, Worrell, Wright & O'Hatnick, Inc (GWWO) architectural firm. The renovation upgraded the building's facilities and created boosted bookish and function space while retaining much of the original blueprint and décor.

Mount Royal Station [edit]

The Mount Regal Station houses the undergraduate departments of cobweb and interdisciplinary sculpture, 3D classrooms, and the Rinehart School of Sculpture, as well as senior studios.^[17] The railroad tracks underneath the train shed remain agile every bit CSX Transportation'south freight mainline to New York City.

Built in 1896, the Mount Imperial Station (now known every bit The Station Building) was the Baltimore and Ohio Railroad's showcase rider station until it ceased operations in 1961.^[17] MICA purchased the building in 1964 and renovated it in 1966 under the direction of architect Richard Donkervoet, retaining equally much of the edifice's exterior and interior as possible, including vaulted ceilings, columns and mosaic flooring.^[18] Margaret Mead, in a lecture given at the Station, commented that the renovation "is perhaps the most magnificent instance in the Western World of something being made into something else".^[18]

On December 8, 1976, the Station was added to the register of National Historic Landmarks, granting it total protection equally an historic site.^[19] The Mount Regal Station's gable-roofed train shed, i of the country's last remaining such structures,^[19] was renovated in 1985. Between 2005–2007, MICA accomplished a two-phased, $6.three million renovation by the architectural firm Grieves, Worrall, Wright & O'Hatnick, Inc. (GWWO).^[17]

Dolphin Building [edit]

The Dolphin Building at 100 Dolphin Street formerly housed MICA's Printmaking section and Book Arts and Printmaking concentrations, too equally the contained Dolphin Press. It had fifteen,000 square anxiety (ane,400 m²) of working space divided into three floors. In 2016, MICA demolished the Dolphin Edifice in preparation of a 5 story/25,000 foursquare feet structure, designed by Baltimore architectural house GWWO.^{[20] [21]} The building reopened in September 2017, and is now home to the Interactive Arts, Game Design, Product Design, and Architectural Design departments.^{[xx] [22]}

Bunting Center [edit]

Bunting Heart houses Liberal Arts departments (art history and language, literature, and culture), the campus Writing Middle, academic advising and the registrar. Bunting Center also houses a eatery, Java Corner. The first floor and basement level house the Decker Library, which includes a collection of over 600 art books in its Special Collections area. Students are allowed to view any Special Collections item by requesting it from library staff. The library too includes an oversized Folio department and a wide collection of video and film materials, including DVD and Blu-ray. It hosts brandish cases for monthly exhibits, a private Screening Room for viewing films and holding meetings, and a classroom for instruction.^[23] Bunting Heart contains the Pinkard Gallery and Pupil Space Gallery.

The acquisition and renovation of Bunting Eye increased MICA's bookish space by 20% when it opened in 1998. It was named for trustee George Bunting, who was also instrumental in the development of the Flim-flam Building, among other projects.

The Bunting Heart received the Thousand Design Award and Honor Laurels from AIA Baltimore in 1998. In 2007, architect Steve Ziger headed the building's $v.5 one thousand thousand renovation, seeking to create "a real sense of neighborhood" for the college.

Firehouse [edit]

The Firehouse hosts the College's operations and facilities management department. The building has vii,224 square feet (671.i mⁱⁱ) of space. MICA purchased a historic Firehouse forth North Avenue in 2001 and renovated the building in 2003. As office of the redevelopment agreement, MICA maintained the station's front end façade in accordance with Commission for Historical and Architectural Preservation standards. The renovation architect was Cho Benn Holback + Assembly, Inc. Kajima Structure Services was the contractor. The Firehouse won an award from the Baltimore Heritage Foundation for preservation in 2004.

Play a trick on Building [edit]

The building houses Decker Gallery, Café Doris, Meyerhoff Gallery, the Centre for Art Education, the Division of Standing Studies, as well as Ceramics, Illustration, Ecology Design, GFA, Drawing and Painting departments, the woodshop, the nature library, and Graphic Design MA (formerly Graphic Design Post-Baccalaureate). The Pull a fast one on Edifice offers more 60,000 square feet (5,600 1000^two) of usable infinite.

Congenital in 1915 as the Cannon Shoe Factory, the Fox Building was purchased in 1976. After two years of planning by architects Ayers/Saint/Gross, work began in 1979 and the newly renovated building opened in 1980. This renovation retained well-nigh of the warehouse character of the building, including exposed ductwork and framing and the original outside—The renovations cost $ii.5 million, and the edifice was named for builder Charles J. Fox, a 1965 graduate of MICA whose family unit contributed over $1.v million of the renovation cost. Afterward the conversion, the Mountain Majestic Improvement Association granted MICA an Accolade of Merit for its contribution to the community.

In 2005, a 2nd renovation added another gallery and cafe.

Bank Building (Studio Center) [edit]

The 120,000-square-foot (11,000 m²) building houses the post-baccalaureate certificate programme, Hoffberger School of Painting, The Mountain Regal School of Art, the Graduate Photographic and Electronic Media programme, and Senior student studios. Although the official name is The Studio Center, many students know it every bit The Bank Building.

MICA purchased the onetime Jos. A. Depository financial institution sewing found on North Avenue in August 2000. The all-brick building dates to the early 20th century and was domicile to Morgan Millwork for most of the century.

Brown Center [edit]

The Brown Centre houses MICA'south digital fine art and design programs, as well as the 525-seat Falvey Hall, which, in addition to hosting school-related functions, has also played host to events like the Maryland Moving picture Festival and National Portfolio Twenty-four hour period. It houses the Video, Blitheness, and BFA and MFA Graphic Design departments. It also has an art gallery, a secondary hall for lectures ("Chocolate-brown 320"), and a "Blackness-Box" area for Interactive Media installations.

The first newly constructed bookish building for the College in nearly a hundred years, Brown Centre was dedicated on October 17, 2003 and became fully operational in Jan 2004.^[24] Information technology was bolstered past a $6 million gift from Eddie and Sylvia Brown, the largest souvenir always received by the Found. The building was designed by architect Charles Brickbauer and Ziger/Snead.^[25]

The 61,410-square-human foot (5,705 m^two), five-story contemporary structure garnered acclamation as an architectural landmark. Awards have included the AIABaltimore 2004 Grand Design Award, AIA Maryland 2004 Honor Honour of Excellence, regional honour of merit in 2004 in the International Illumination Design Award competition, and several awards for excellence in construction. In addition, MICA President Fred Lazarus traveled to Italy in June 2006 to receive the Dedalo Minosse International Prize for Brown Heart. Brownish Eye was the only American project amongst the finalists.

Boosted facilities [edit]

Additional buildings making upwardly MICA's campus include the Maryland Institute College of Art store (known simply every bit "The MICA Store") at 1501 West. Mountain Royal Ave. selling art supplies and books, and official MICA merchandise.^[26]

Student housing [edit]

The Meyerhoff and The Gateway buildings increased MICA student housing ninety% between 2002 and 2009, assuasive more students to stay on campus.^{[ citation needed ]}

Founder's Green [edit]

Founder'due south Green is a iii-building, 4-story student apartment complex. Amidst the showtime pupil residences to exist constructed on the flat-living model, it houses approximately 500 students.^[27] When MICA proposed purchasing a lot on McMechen Street that had been vacant for more than than 30 years, to build student housing, and the Bolton Loma neighborhood approved the purchase and donated $50,000. Built in 1991, and previously named "The Eatables".^[27] In 2012, the building was renamed and renovated into the apartment-style by architecture firm, Ayers Saint Gross.^[27]

Meyerhoff House [edit]

Meyerhoff House is a residence for Sophomore, Inferior and Senior students. The building includes the College's primary dining facility, pupil life middle and recreational civilities. Originally built as the Hospital for the Women of Maryland, the building was used as nursing home for some time until it closed in 1994. The building was vacant for 7 years until MICA purchased it in January 2001.^[28]

The Gateway [edit]

The Gateway includes apartments to arrange 217 student residents, a translucent studio belfry, a multi-utilize operation space, the College's largest student exhibition gallery, and a new home for the Joseph Meyerhoff Center for Career Development. The Gateway is located at the intersection of Mountain Imperial and North avenues, aslope the Jones Falls Thruway (I-83). Construction began on The Gateway in Oct 2006 and completed in Baronial 2008. It was designed by RTKL Associates Inc.^[29] In August 2008, the showtime students moved into the Gateway.

Notable alumni [edit]

Notable old students of the Maryland Institute College of Art include the following individuals, listed by field of work:

Academia [edit]

• Earl Hofmann (B.F.A. 1953), painter, educator^[30]
• Marking Milloff (M.F.A.), multidisciplinary artist and educator at Rhode Island School of Blueprint^[31]
• Andrew Cornell Robinson (B.F.A.1991), professor at Parsons The New Schoolhouse for Pattern, painter, printmaker, and sculptor^[32]
• Dorothy Cavalier Yanik (Painting M.F.A. 1975) professor at Carnegie Mellon University and various other schools

Actors [edit]

• Tamara Dobson (Fashion Illustration B.F.A. 1970), actress in Cleopatra Jones and fashion model.^[33]
• Abbi Jacobson (General Fine Arts B.F.A. 2006), comedian, author, extra, and illustrator known for her work on the TV serial Broad City ^[34]
• Colby Keller (M.F.A. 2007), pornographic motion-picture show actor, visual creative person, and blogger
• Susan Lowe (B.F.A.) extra and one of the Dreamlanders
• Maelcum Soul, (Painting B.F.A.) extra and painter

Architects [edit]

• Richard Armiger (1970), architectural model maker
• Wright Butler (1891), architect
• John Jacob Zink (B.F.A. 1904), architect of movie houses^[35]

Business concern [edit]

• Heather Day (B.F.A. 2012), abstruse painter and entrepreneur of the culinary-fine art startup, Studio Table^[36]
• Deana Haggag (Curatorial Practice M.F.A. 2013), President and CEO of the national arts funding organization United States Artists
• Dana Veraldi (Photography B.F.A. 2007), designer, creative person, and entrepreneur known for her t-shirt line^[37]

Designers [edit]

• Cheryl D. Miller (B.F.A. 1974), AIGA Medalist 2021
• Zach Richter (B.F.A. 2007), creative director of digital and VR experiences, designer

Picture [edit]

• John Carter (B.F.A. 1992), film manager and conceptual artist

Musicians [edit]

• David Byrne (never graduated, attended 1971–1972), vocalizer, member of Talking Heads band
• Frances Quinlan (Painting B.F.A. 2008) in the indie ring, Hop Along^[38]

Fine Arts [edit]

Illustrators [edit]

• Jeremy Caniglia (Yard.F.A. 1995), illustrator of volume cover art for fantasy and horror genres
• Jennifer Daniel (illustrator) (B.F.A. 2000), emoji subcommittee chair
• ND Stevenson (B.F.A. 2013), illustrator and cartoonist
• Babs Tarr (B.F.A. 2010), illustrator
• Annie Wu (B.F.A. 2010), illustrator and comic book artist

Multimedia, mixed media and installation [edit]

• Jim Condron, (M.F.A. 2004), painter and mixed media artist^[39]
• Michael Corris (Chiliad.F.A. 1972), conceptual artist and author on art.
• Jane Frank (B.F.A. 1935), painter, sculptor, mixed media artist, and cloth artist
• Gaia (B.F.A. 2011), street muralist and artist.^[40]
• Jeff Koons (B.F.A. 1976), sculptor and painter
• Jenni Lukac, contemporary artist
• Jimmy Joe Roche (M.F.A. 2008), visual artist and underground filmmaker
• Shinique Smith (General Fine Art B.F.A.1992, Mount Royal School Of Fine art M.F.A. 2003), painter, sculptor, and installation artist^[41]
• Jen Stark (2005), paper sculptor, drawer, and animator
• St. Clair Wright (1932), preservationist and gardener

Painters [edit]

• Dhruvi Acharya (Painting M.F.A., 1998) ^[42]
• Kamrooz Aram (B.F.A. 2001), painter.^[43]
• Donald Baechler (B.F.A. 1977), painter^[44]
• Angie Elizabeth Brooksby (1988), painter
• Larry Poncho Brown (1984), painter and sculptor
• Jeremy Caniglia (1995), figurative painter
• Lesley Dill (1980), contemporary artist
• William Downs, (2003), painter
• Danielle Eckhardt, painter
• John Ennis (1976), painter
• Brock Enright (1998), painter
• Joan Erbe (1950), painter, sculptor
• Amir H. Fallah (born 1979, Painting B.F.A. 2002), painter and magazine publisher
• Joshua Field (1996), painter
• Lee Gatch, painter
• Gladys Goldstein, painter
• Elaine Hamilton (1945), painter and muralist
• Douglas Hoffman (1968), painter and printmaker
• Earl Hofmann (1953), painter and educator^[30]
• Kika Karadi (1997), painter
• Morris Louis (1933), painter
• Ted Mineo (Painting B.F.A. 2002), painter^[45]
• Karin Olah (1999), contemporary painter, collage, and fiber artist^[46]
• Selma L. Oppenheimer, painter
• Amalie Rothschild (1934) painter and sculptor
• Shelby Shackelford (1921), painter, printmaker, illustrator
• Amy Sherald (Chiliad.F.A. 2004), painter^[47]
• Lee Woodward Zeigler (1885), muralist and illustrator

Photographers [edit]

• Joan Cassis (1974), lensman^[48]
• Linda Day Clark (B.F.A. 1994), photographer
• Lola Flash (1981), lensman
• Marilyn Nance (1996), photographer

Sculptors [edit]

• Nina Akamu (B.F.A. 1977), sculptor
• Matt Johnson (2000), sculptor
• Ernest Keyser, sculptor
• Gwen Lux (attended 1926–1927), sculptor and Guggenheim fellow in 1933 for Fine Arts^[49]
• James Earl Reid (1942–2021), sculptor^[50]
• William Henry Rinehart, sculptor
• Jacolby Satterwhite (2008,) video creative person
• Hans Schuler (1899), sculptor
• Joyce J. Scott (1970), sculptor, beadworker

Notable faculty [edit]

• Timothy App, painter
• Laurence Arcadias, animator
• Joe Cardarelli, poet
• Norman Carlberg
• Jim Condron, painter, mixed media artist
• Gladys Goldstein, painter
• Grace Hartigan
• Earl Hofmann, painter
• Yumi Hogan, painter, Starting time Lady of Maryland
• Nate Larson, photographer
• Ellen Lupton, graphic designer
• Raoul Middleman
• Salvatore Scarpitta, sculptor
• José Villarrubia, illustrator
• John Yau, poet
• Patrick O'Brien, illustrator

References [edit]

1. ^ As of June 30, 2020. U.South. and Canadian Institutions Listed by Fiscal Twelvemonth 2020 Endowment Marketplace Value and Change in Endowment Marketplace Value from FY19 to FY20 (Report). National Clan of Higher and University Business Officers and TIAA. February xix, 2021. Retrieved Feb twenty, 2021.
2. ^ ^{a b c d e} "College Navigator - Maryland Plant College of Art". National Center for Education Statistics (NCES). U.South. Department of Pedagogy. 2017. Retrieved December 29, 2018.
3. ^ ^{a b c} Vincent, John Martin (1889). The Johns Hopkins University Studies in Historical and Political Science. Johns Hopkins University Printing. p. 63 – via Google Books.
4. ^ ^{a b} "MICA Historical Timeline". 2009. Archived from the original on June 10, 2010. Retrieved August 30, 2009.
5. ^ ^{a b c d e f chiliad} "1847-1878: Renewal and Expansion in the Industrial Age". 2009. Archived from the original on June 17, 2010. Retrieved Baronial xxx, 2009.
6. ^ ^{a b c} "1905-1960: A Fresh Start—Rising of Mount Royal Campus". 2009. Archived from the original on February 26, 2012. Retrieved August 30, 2009.
7. ^ "1961-1977: Rapid Strides Forward—Becoming a Higher". 2009. Archived from the original on Feb 26, 2012. Retrieved August thirty, 2009.
8. ^ Vozzella, Laura (April 1, 2007). "Make-new logo, $75,000; MICA's explanation, priceless". The Baltimore Sun . Retrieved Dec 29, 2018.
9. ^ ^{a b c} "Maryland Institute College of Art". Association of Independent Colleges of Art & Pattern (AICAD) . Retrieved December 29, 2018.
10. ^ Sweeney, Alexis (2002). "Maryland Institute College of Art". The Baltimore Sun . Retrieved December 29, 2018.
11. ^ "Graduate Art & Design programs - Announcements". Fine art & Educational activity. 2016. Retrieved December 29, 2018.
12. ^ "Maryland Institute College of Art". US News and Reports. 2017.
13. ^ "Maryland Institute College of Fine art". The Princeton Review College Rankings & Reviews . Retrieved December 29, 2018.
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External links [edit]

• Media related to Maryland Institute College of Art at Wikimedia Commons
• Official website

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Source: https://en.wikipedia.org/wiki/Maryland_Institute_College_of_Art

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